DIS|KONTINUITÄTEN

Program Day 2

9.30am Tobias Janz [Rheinische Friedrich-Wilhelms-University Bonn, DE]: Einleitung: Dis | Kontinuitäten. Zur Historiographie der Oper im 20. Jahrhundert

10:15am Áine Sheil [University of York, GB]: Productions of the Kroll-Oper. Innovations and Continuities

11am Break

11.30am Kirstin Van den Buys [Vrije Universiteit Brussel, BE]: Discontinuity in the programmation of modernist operas at the Théâtre Royal de la Monnaie in Brussels from 1933 onwards and the importance of the performance of Berg’s WOZZECK in this regard

12.15am Daniel Boucher [University of Birmingham, GB]: Zeitopermania: Rewriting Narratives of Modern Opera in Weimar Germany

1pm Lunch Break

2.30pm John Gabriel [University of Melbourne, AU]: Finding New Footing in Shifting Sands: The Fate of Zeitoper at the End of the Weimar Republic

3.15pm Max Erwin [University of Malta, MT]: Zeitopern ohne Zeit, Volksopern ohne Volk: Modernity and Ambiguity between Weimar Avant- Garde and Third Reich Opera

4pm Friedrich Geiger [College of Music and Drama München, DE]: Jazzrezeption in der Oper zwischen Weimarer Republik und früher Nachkriegszeit

6pm Final Rehearsal DER SINGENDE TEUFEL